



...the joyous occasion took place. We began our marriage with a readymade family. Below I am threatening my boys if they don't stand still and smile, I'm gonna cuff 'em.
The kids were happy about the day, but kind of grossed out by the displays of affection.
It was the best day of my life, and the first day of five very happy years and a whole bunch more to come.


If you've been reading my posts lately, you know I've been getting a lot of inspiration and enjoyment by doing the Art by Committee challenges from James Gurney's website. As a creative exersize, I've been trying to weave them into a single story. Some of them just don't fit. I'm wondering if I'll be able to continue, since they may add too many disparate elements to a single story. We'll see!
Here is my entry for this week's ABC challenge. Our prompt this time was
I think these challenges are an example of apophenia -spontaneous perception
One of my favorite cartoonists is Stan Sakai. He has drawn, inked, written and lettered 109+ issues of his comic Usagi Yojimbo (Japanese for Rabbit Bodyguard). His comic features the anthropomorphic adventures of a17th century Samurai rabbit. It's consistently very well written and drawn. It's also neat that you can catch up with with Usagi's adventures in the 22 paperback collections. This comic is great for adults or kids, especially around middle school age. It has won several awards, including the YALSA (Young Adult Library Services Association) of the American Library Association. 
I have been looking forward to this book coming out. It's a great graphic novel for kids and for the kid at heart. It's by Kazu Kibuishi, a really great cartoonist who's editor of the Flight anthologies and several comic creations of his own. The Flight anthologies are great collections that demonstrate the wide range of fantastic stories that can be told in the medium of comics.
Most of your work is aimed at all-ages readers; not necessarily about kids and not only for kids. Do you think that's fair?
Well, I think that "Amulet" is the first book I produced with the younger readers in mind. "Copper" and my "Flight" stories are made mostly to appeal to the artist side of me. With "Amulet," I knew for sure that young readers would be the ones reading it, so I tried to channel my ten year-old self and tried to make the book that I would have begged to have at the school book fair. I wanted to give that feeling to new readers out there too. If I were that age, at the book fair, I imagine this would indeed be the ultimate find. Heh heh.
Lynda Barry is one of my favorite writers and cartoonists. I'm really looking forward to getting her new book, What it Is.
When I was a kid, I never wrote without first having a book to write in. The simple act of folding sheets of paper and stapling them inside a construction paper cover was the first step in writing a book. The second was the movement of a pencil on paper. For most kids, once the experience of writing or drawing is over, the story itself isn’t so important.
Some studies show that for children, handwriting and stories are intertwined. The very motion of writing by hand encourages creativity. The same is true for drawing. It’s only later in life that action and intent part ways.
The vehicle of ink and brush is available to anyone. The picture you make is not so important. Move your brush not to make a picture, but make a picture in order to move your brush.
--but when I read the challenge, this is the comic that popped into my head.

We went to see the Hulk movie last night. I guess it was okay. If I were grading these movies, I'd give Iron Man an A and this Hulk movie a C+. What I didn't like about it was that they just made a Hulk movie four years ago, which I guess we're supposed to forget and I didn't really see that this one was really that much different or better. My verdict is, it's worth seeing, but there will probably be moments when you're checking your watch.
Wildon, a big hulking dude, went into a crouch and threw out his arms, ready to catch the running Jeremy.I cheated a little, making no effort to draw a Jeremy, but continued with my own character. The big hulking dude has yet to throw his arms out as well, but give him time! I had to do two pages to bring the story from last week's challenge to this moment.






The comic strip sketch book chronicled your experiences with reflection, as you stated, even before you knew you were engaged in reflective practices. Each segment added personal and scholarly applications in terms of continued reflection and its subsequent impact on your teaching.
Your experiences introducing the sketchbook to your students, reflecting on their responses, and then making necessary adjustments were a testament to the power of reflective practices to inform instruction. I know that your students and colleagues will benefit greatly from your talent and ability to bridge humor and reflection in order to stimulate creative change in education. Excellent work!




One of my new favorite cartoonists is Alec Longstreth. For anyone interested in making their own comics, his lecture notes Your Comics will Love you Back are the most practical resource I've ever seen. I picked up some very helpful hints from them. I also bought two issues of Phase 7 Comics, the comic he puts out a couple times a year. Issues # 10 and 11 were of particular interest to me since it's basically the story of his life with comics so far. It gives a lot of insight into his working methods and philosophy of making them.
His illustration of his self-portrait on the back of a turtle charging into battle is the perfect metaphor for making comics. So much excitement -- but the process is so painstakingly slow.
To express my appreciation for the inspiration and guidance I've found in his work I made the sketch below.