I'm in Good Company

I was recently contacted by Robert Goodin who saw my Comics Re-covery Drawings. I'm certainly not the only one doing something like this and Robert had the idea of creating a website highlighting a whole bunch of artists who do studies of pre-existing comic book covers. The site is really interesting, and I'm the latest one to have my artwork shown on this site. Check it out, it's awesome. The site is called Covered.

Robert's own contribution is really neat -- the Wonder Woman drawing below.

Cover Re-covered #7: The Infinity War

This is the latest installment of a series of pictures I call The Comics Re-covery Project. I choose comic book covers I like and redraw them in my own style as a learning exercise. The cover design strategy employed here is one I call A Bunch of Heroes Standing Around Doing Nothing. It's actually used a lot in comics of the last two decades. Yes, they're just loitering, but the looks on their faces say, "As soon as we're done posing for this picture, we are really gonna kick some butt!"

Wolverine here seems to be saying, "Listen here, bub! I hope you bought your tickets -- for the GUN SHOW!"

I always feel like --

-- somebody's watching me!

Sketch of The Watcher

Early Publications -- Part 2

This is something I did when I was a senior in high school. It was for our school's literary magazine. For a rural school in 1983, it was a very sharp little magazine. Since it was called Expressions, I did extreme close-ups of a few celebrities. See if you can find Tom Selleck, Richard Pryor, and Bo Derek. I can't remember the rest of them.

If you have to explain it...

...then it isn't funny! The comic in my last post got mixed reviews. Some said it made them laugh out loud, others seemed a little confused. I appreciate the feedback, since a cartoonist doesn't always know how his work is received. The feedback will help me decide which comics make the cut for the next issue of Eclectic Comics.

"44"

Andrew Wyeth (1917-2009)

I think it's really sad that Andrew Wyeth died today at the age of 91. You wouldn't know it by looking at the art you see here, but he has always been one of my favorite artists. Of course, much more serious than the work I do. What I most admire about his work is that they aren't just people of people places and things. Every image means something -- it is so full of meaning.

Don't Talk Back -- to the Mystic Yak!

Hurtling through the cosmos on a meteor rides the Mystic Yak. The cover is drawn with ink, and I'm going to color it with Photoshop, but I thought first I'd color a copy by hand to see if I could make my color choices before hand. I'll use this color sketch as a guide while I try to teach myself Photoshop.

Swiping Steranko

This classic Steranko cover is one of the most famous Hulk images. The one below is one used in a recent Incredible Hercules comic. They look a lot alike don't they? Is it a swipe or a tribute?


According to someone who knows a lot more than me,

Comic book covers based upon famous images, from other comics or elsewhere, are
commonly referred to as “homage covers”. As the term implies, homage covers pay tribute to revered “touchstones” of comic book, pop cultural or even “real world” historical imagery. They also provide a sense of fun and community, as seasoned fans recognize the visual as the hat-tip, the nod, the gentle satire or the arcane “in-joke” knowledge it was intended to be.

I think the whole idea is great, but I also think that certain images end up being over-used, and the Steranko Hulk cover is one of them. Not wanting to be left out, I've decided to use it as the image for the next Mighty Mailbag page.

Goals for 2009

Crayola Marker Sketch with Collage

1-14-09

Success Comes in Cans

-- not in "can nots"! They say that people who write their goals down are more apt to achieve them. I wondered, would it be possible to create an art lesson that encouraged children to set goals? I came up with "I-Can-Do-It Cans".

On the outside of the can, we drew ourselves with images that represented our goals. I told the kids that they were magic. If they wrote down what they wanted to achieve in sentences on slips of paper, and if they put them in the cans -- they just might come true!

You might think I was pulling their leg, but there's a lot of truth to this. I read a book once called Write it Down, Make it Happen by Hennriette Anne Klauser. This book explains the science behind why this is true.

There's a part of our brain called the reticular activation system,

Your reticular activating system is like a filter between your
conscious mind and your subconscious mind. It takes instructions from your
conscious mind and passes them on to your subconscious. For example, the
instruction might be, "listen out for anyone saying my name".

...you can deliberately program the reticular activating system by
choosing the exact messages you send from your consicous mind. For example, you
can set goals, or say affirmations, or visualize your goals.

Have you ever noticed that after you buy a car of a certain model and color of car, suddenly you see cars just like it everywhere. They were always out there, but now you notice them. It's the RAS that's involved there. Likewise, a mother can hear a baby cry from several rooms away and know whether it's her baby or not!

Why does writing your goals down make it more likely that you'll achieve them? In my own words, I guess what happens is that by writing your goals down, you're clarifying in your mind exactly what you want. Then the opportunities to get toward that goal stand out more clearly.

I know they say to set realistic goals, but I figure it doesn't hurt to write down things that might seem wildly implausible. I notice in my own I-Can-Do-It Can from years ago that I had drawn and written that I wanted to own a house. That seemed impossible due to financial circumstances at the time, but it's happened!

What goals will you set for this new year?

Draw Yourself

A "Wreck this Journal" assignment

Crayola Marker

Early Publication

The image above is the first drawing I had published. Before you judge it too severely, keep in mind that I was in sixth grade! Back in the days before copiers, schools used ditto machines. The ditto machine (or spirit duplicator) used two-ply "ditto masters". The first sheet could be typed, drawn or written on. The second sheet was coated with a layer of colored wax. Writing on the first sheet created a mirror image on the back of it. The first sheet was fastened on the drum and copies could be printed -- in our school, usually in blue. I remember getting those worksheets hot of the presses and taking a deep whiff of the rapturously fragrant aromatic ink. Maybe that explains a lot.


Well, suffice it to say, children weren't usually allowed to write or draw on ditto masters. One day in sixth grade, a teacher put one of those masters on my desk and asked me to design a cover for the Spring Concert Program. I didn't really cut loose too much because I was afraid of messing it up. I can remember being thrilled to see a stack of the programs and knowing that my drawing was on every one of them! And then, looking out at the sea of faces at the concert and seeing that everyone in the audience had my drawing in their hands. This could be where I got bit by the publishing bug. The only other thing I remember about the night is that we sang "Blowing in the Wind" by Bob Dylan.

Anyway, as teachers, I think we should take the opportunity to use the work of budding artists, rather than take the easy way out and grab a clip art image. It takes just a little bit more time, but we can provide publication opportunities to the future writers and illustrators in our care.

Biff!

Crayola Marker Sketch 1/8/09

The site of an erupting volcano has got to be the worst place to have a super-villain smackdown.

Dreaming

This sketch is meant to illustrate what it's like to dream. Is it just me, or do all kind of random things get mixed together in dreams?

Comics Go to War

Some people think comics are just for kids. Others think that comics for adults is a relatively new thing. When I researched the history of comics for my master's research project, I learned that they were quite popular with men in the armed services during World War II. It was said that they were “passed from man to man until there is nothing left of them” (Zorbaugh, page 198). The New York Times reported that during wartime, one of every four magazines shipped to troops overseas was a comic book (Wright, 2001). I just recently saw these photos online, and wished that I had found them when I was working on my research project In Defense of Comics.

Wright, Gary. (1979). “The comic book – a forgotten medium in the classroom.” Reading Teacher 33(2). Pgs. 158-161.

Zorbaugh, Harvey (1944). The comics – there they stand! Journal of Educational Sociology 18 (4). Pp. 196-203.

I Wonder

I created this quick one page comic and made copies to handout at a teacher inservice I was presenting a while back. It was our first activity -- an icebreaker. My goal was to get teachers thinking about how it can be so easy to want to just approach our classes with an objective and try to yank them out of where there thoughts currently are. Even teachers sometimes have their minds on other things! Are there some times when we can make good use of what our students are obsessing about as a writing or drawing prompt?

The World's Fastest Cartoonist -- Sergio Aragones

When I was a kid, my parents encouraged us to read and pursue our own interests. One way they did that is by providing lots of reading material -- even "fun" reading like comics and humor magazines. They weren't stingy when it came to stuff like that and I think that's why we all became readers.

I liked comics, of course, and I also enjoyed reading books made by cartoonists. My favorite cartoonist was Sergio Aragones. He's the artist who drew (among other things) the Mad Marginals. If you've ever looked at Mad magazine, there's little tiny spot cartoons in the margins. The great Sergio Aragones has contributed cartoons for every issue of Mad since his debut in 1963, except for one issue. The post office actually lost the artwork Aragones created for that issue. As he approaches his 45th year anniversary of working for them, that's quite a record!

As a kid, I looked forward to seeing his work in every issue of Mad, but imagine my delight when I discovered paperback collections of his work in book stores! I liked how he always drew himself in a self deprecating way.

I had all of the books shown above and more -- and I still have a few of them!

When my older sisters were little, my dad actually took an old chicken coop and remodeled it to make a "play house". There was even electric lights and outlets in there. When my younger brother and I came along, we took it over, and re-enacted many western movies there. When we outgrew that it became my summer studio. I'd sit at a desk and make copies from the Aragones books -- one after another. Then one day I discovered, I could just think of something and draw it. It even looked a little like how Sergio would have drawn it! To this day, I think I see his influence in my cartoons, although I'm not as fast as he is!

One day I in the late 70s I was passing a comics rack and stopped dead in my tracks -- I discovered that there was a new comic book called Groo -- drawn entirely by Aragones! Groo was a spoof of the Conan and Sword & Sorcery comics. I collected that comic for several years. I really liked how he took a character type that was supposed to be super-heroic and made him goofy.

At 70, Sergio is still very prolific. He's had a prodigious career that includes virtually every major cartoon award—he’s received a National Cartoonist Society Reuben Award, multiple Eisner Awards and is a member of the Will Eisner Award Hall of Fame. In a recent article, Aragonés revealed his indefatigable optimism. "I love what I do. It's like doing it for the first time every time I do it."